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UCLA community organizes encampment in response to national call for escalation
Music

Arts

April 23, 2024 11:53 a.m.
Alumnus Mei-Chen Chen unearths Indigenous music of Taiwan in presentation

Light radiates out from the Schoenberg Music Building. Taking place in room B544, alumnus Mei-Chen Chen’s lecture “Unearthing Sounds from the Archive: Joseph Lenherr’s Field Recordings of Indigenous Music of Taiwan” will discuss Indigenous church music through the lens of archival documentation from Lenherr. (Jeremy Chen/Photo editor)

This posted was updated April 23 at 7:38 p.m.
Mei-Chen Chen is unearthing the fruits of ethnomusicological documentation.
This Wednesday at the Schoenberg Music Building, the ethnomusicologist will walk the UCLA community through her experiences uncovering missionary Joseph Lenherr’s field recordings of Indigenous Taiwanese tribes’ music.

By Samantha Reavis

Arts

April 19, 2024 4:09 p.m.
Album review: ‘THE TORTURED POETS DEPARTMENT’ is chaired by sultry slang, melodramatic monotony

This post was updated April 21 at 11:37 p.m.
While the poet may be tortured, the poems themselves exude both monotony and melodrama.
Singer-songwriter Taylor Swift dropped her 11th studio album Friday in the form of a surprise double album “THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY.” The album explores the singer’s experiences with prior relationships while weaving themes of addiction, manipulation, parenthood and family through the 31-song marathon.

By Olivia Simons

Arts

April 5, 2024 6:42 p.m.

Album Review: Vampire Weekend’s ‘Only God Was Above Us’ embraces beauty in chaos

Vampire Weekend has rediscovered the key to heaven on its fifth full-length album.
“Fuck around and find out,” Vampire Weekend frontman Ezra Koenig gleefully exclaims on the opening track of the band’s latest album, “Only God Was Above Us.” Born from a Daily News headline, the 10-track album’s title references a 1988 plane crash where when recounting the striking visual of the aircraft’s roof ripping off, one survivor declared “only God was above us.” Fittingly, the genre-bending record is deeply interested in mining beauty from chaos, and for the most part succeeds.

By Graciana Paxton

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