Light radiates out from the Schoenberg Music Building. Taking place in room B544, alumnus Mei-Chen Chen’s lecture “Unearthing Sounds from the Archive: Joseph Lenherr’s Field Recordings of Indigenous Music of Taiwan” will discuss Indigenous church music through the lens of archival documentation from Lenherr. (Jeremy Chen/Photo editor)
This posted was updated April 23 at 7:38 p.m.
Mei-Chen Chen is unearthing the fruits of ethnomusicological documentation.
This Wednesday at the Schoenberg Music Building, the ethnomusicologist will walk the UCLA community through her experiences uncovering missionary Joseph Lenherr’s field recordings of Indigenous Taiwanese tribes’ music.
This post was updated April 21 at 11:37 p.m.
While the poet may be tortured, the poems themselves exude both monotony and melodrama.
Singer-songwriter Taylor Swift dropped her 11th studio album Friday in the form of a surprise double album “THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY.” The album explores the singer’s experiences with prior relationships while weaving themes of addiction, manipulation, parenthood and family through the 31-song marathon.
This post was updated April 23 at 7:53 p.m.
This quarter, artists are hopping onto the stage.
From decades-long discographies to the latest lullabies, musicians are setting off the spring soundwaves.
Student bands battled it out onstage at UCLA’s newest venue for a chance to perform at the university’s most historic one.
Co-hosted by the Student Committee for the Arts and UCLA Radio, the Road to Royce took place Monday night at the UCLA Nimoy Theater and gave four student groups the opportunity to compete for an opening spot at SCA’s Royce Hall show May 16.
This post was updated April 11 at 7:34 p.m.
Like many Bruins, these icons of pop culture are coming out of hibernation.
Following several years between projects, artists are making their return to music this season.
This post was updated April 7 at 7:57 p.m.
In Dance Marathon’s final hours, UCLA is still grooving as a new lineup of performers takes the stage.
Vampire Weekend has rediscovered the key to heaven on its fifth full-length album.
“Fuck around and find out,” Vampire Weekend frontman Ezra Koenig gleefully exclaims on the opening track of the band’s latest album, “Only God Was Above Us.” Born from a Daily News headline, the 10-track album’s title references a 1988 plane crash where when recounting the striking visual of the aircraft’s roof ripping off, one survivor declared “only God was above us.” Fittingly, the genre-bending record is deeply interested in mining beauty from chaos, and for the most part succeeds.
This post was updated March 31 at 9:40 p.m.
For Beyoncé, the road less traveled by is always the right choice.
At a sprawling 27 tracks over an expansive 79-minute runtime, Beyoncé’s eighth studio album “COWBOY CARTER” is her longest LP to date.
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