Warning: spoilers ahead.
Despite previous missteps, Sunday night’s episode of “Killing Eve” was the perfect penultimate present.
With just enough action to make up for previous unsatisfying episodes while still preserving the quintessential “Killing Eve” guessing game, “Beautiful Monster” finally capitalized on the power of the show – its three leading women.

The Charli XCX brand promises rave music molded into studio pop, and her latest record’s lyrical study of raw emotion lives up to such lofty expectations.

Warning: spoilers ahead.
“Killing Eve” finally committed a major broadcast blunder – a boring episode.
Sunday night’s show “Are You From Pinner?” devoted the entire hour to Villanelle’s brief stint at home in Russia.

Warning: spoilers ahead.
Eve can’t have her cake and eat it too.
The issue was asked and answered in Sunday’s episode “Still Got It” with a multi-timeline exploration of “Killing Eve”‘s main cast of characters.

Warning: spoilers ahead.
Between camp and commotion, Carolyn Martens gave “Killing Eve” new life in this week’s episode.
In “Meetings Have Biscuits,” Martens’ character development marks the shift of the show from the seemingly untouchable actor-driven vehicle into a more sophisticated examination of the human experience.

Lilly Scourtis Ayers said she was warned against getting too close to Marian Anderson’s wild side.
When Ayers first encountered Anderson, a friend told Ayers that the punk rock singer was trouble.

John Sayles said his independent films offer a worthwhile window into the past – even four decades after his first film in 1979.
 
Sayles began his career as an independent filmmaker with “Return of the Secaucus Seven,” and he said the feature films that followed all touch on some aspect of American life.